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The Backstreet Boys’ luminous ballad “I Want It That Way” is almost indisputably the single greatest song to come out of the teenpop era, and if you’re still resisting its charms 15 years later, this is a pretty good morning to reconsider. Yesterday, during an in-store performance at Chicago’s Borderline Music, the British singer Charli XCX, who released her own album of pretty amazing pop songs just last month, busted out a charmingly low-key synthpop cover of the song. There’s nothing ironic about this particular cover; she’s radiating pure love the entire time. Also, I love how she handles the key change. Thanks to Stephanie for sending the cover in; check it out below.

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Documentary is due to air on BBC Two this weekend (May 25)

Available on: Planet Mu LP

In many music scenes it

Frontman says working with big name collaborators was a 'distraction from how confusing this record was to make'

Singer also reckons he will find cooler places to hang out than his daughters

Following on from our Best Bandcamp Releases Of The Month, we’re thrilled to announced a second new column, this time digesting the best contemporary cassette-only releases. The cassette circuit is a wellspring of inventive and surprising music – and more often than not, the best releases get minimal-to-zero coverage. In the first instalment of a new monthly column, Brad Rose – boss of nonpareil cassette and vinyl label Digitalis Recordings - picks out the cream of under-the-radar tape releases from the last month or so. 

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The number of tapes being released on large and small labels alike these days is ridiculous, and trying to wade through all of it is an impossible task.

Worse is how many of these cassettes are nice enough but generally unremarkable.  As always, though, there are a handful that stand out from the pack, yet too often go unnoticed.

This month we dig into subterranean electronics from Black Hat, the industrial grime of Lavas Magmas, Beaunoise getting his remix action on, echo-heavy Pod Blotz, New Age stealth from Discoverer, and a weird as hell tape called Shampoing and Toner.

Use your keyboard

Beyond, his debut album for Hyperdub" src="http://factmag-images.s3.amazonaws.com/wp-content/uploads/2013/05/walton-hyperdub-album-5.22.20131.jpg" alt="Mancunian producer Walton announces Beyond, his debut album for Hyperdub" width="685" height="384" />

Manchester producer Sam Walton today announces his debut album for Hyperdub, Beyond. 

A contribution to Keysound’s All-Stars series aside, Walton has only ever released on Hyperdub, dropping a pair of EPs (Walton, 2011; All Night, 2012) and more recently announcing a vinyl only release for the label titled ‘Baby’. On Beyond, his productions really sparkle technically – there’s an impressive physicality to the whole album, with a woody texture to the drums creating cohesion – as he tackles 4×4 house, ghostly garage and, at times, grime. In Walton’s words, “I just wanted there to be a contrast between bright and dark, I didn’t want to stick to a specific genre either. Just a vibe.”

Beyond marks Hyperdub’s second full-length of 2013 following the instrumental version of LV’s Sebenza, with the announcement of a new Ikonika album set to follow.

Shavo Odadjian says he is 'furious' that the band have not released an album since 2005

Band also post first material with new frontman online - listen

The song features on the Japanese version of the album

Last May, Donna Summer, the queen of disco, sadly died. 

Best known for her Giorgio Moroder-produced hits ‘I Feel Love’ and ‘Love to Love You’, the news of her death prompted this tribute piece by Todd Honeycut, a YouTube user who makes recreations of hits using just his voice; in his words, “all of the sounds are human – sound produced by me only, without pitch correction or auto-tune.” Although in his cover of ‘I Feel Love’ he breaks his own rules slightly, using pitch-shifting for one of the drum sounds and a bass note that “no human could hit”, it’s still damn impressive, and was brought to our attention this week by Moroder himself, on Facebook.

Check out the cover above, and stream Moroder’s first ever DJ set, from New York this week, here. New to Moroder’s work? Check out our beginner’s guide to him here.

Legend describes his former band member as 'a great man'

Jacques Greene and How To Dress Well join forces to prove there’s still life left in the future garage revival with new track ‘On Your Side’.

The Montreal producer will release a new EP next month and the titular track features falsetto vocals from Tom Krell. The pairings love for house music and R&B respectively is the song’s foundation with sampled ‘yeahs’ running throughout alongside an ever rising bass drum loop.

On Your Side EP is out 3 June digitally and 1 July on 12″ via LuckyMe.

Dip into the second effort from Will ‘Baths’ Wiesenfeld. 

2010′s Cerulean was a tasty stew of ambient, alt.rap and The Postal Service-indebted indietronica; whilst hardly the most bruising release of the year, it won Wiesenfeld a squad of loyal fans, and rightly so. Follow-up Obsidian arrives after some low-key dabblings under the Geotic alias, and sees the producer’s picaresque music swerve off into darker territory. Head here to stream the new LP, courtesy of Pitchfork Advance. Interested parties should make their way towards our recent chat with Wiesenfeld, a catch-up covering everything from serious illness to Daedelus.

Obsidian is out this month on Anticon.